Created in the tenth century, most likely as an imperial commission, the Menologion is a collection of rewritings of saints’ lives originally intended to be read at services for Christian feast days. Yet Symeon Metaphrastes’s stories also abound in transgression and violence, punishment and redemption, love and miracles. They resemble Greek novels of the first centuries of the Common Era, highlighting intense emotions and focusing on desire, both sacred and profane.

Symeon Metaphrastes was celebrated for rescuing martyrdom accounts and saints’ biographies that otherwise may have been lost. His Menologion, among the most important Byzantine works, represents the culmination of a well-established tradition of Greek Christian storytelling. A landmark of Byzantine religious and literary culture, the Menologion was revered for centuries—copied in hundreds of manuscripts, recited publicly, and adapted into other medieval languages. This edition presents the first English translation of six Christian novels excerpted from Symeon’s text, all of them featuring women who defy social expectations.

A collection of medieval tales of Byzantine saints, including some rejected by the Church, translated into English for the first time.

The legends collected in Saints at the Limits, despite sometimes being viewed with suspicion by the Church, fascinated Christians during the Middle Ages—as related cults, multiple retellings, and contemporary translations attest. Their protagonists span the entire spectrum of Byzantine society, including foreigners, soldiers, ascetics, lustful women, beggars, and the sons and daughters of rulers. They travel to exotic lands, perform outlandish miracles, suffer extraordinary violence, reject family ties, save cities, destroy absolute rulers, and discover the divine. Some saints, like Markos the Athenian, are forgotten nowadays; others, like Saint George the Great Martyr, still command a wide appeal. Each, however, negotiates the limits of Byzantine imagination: the borders that separate the powerful from the outcasts, the real from the imaginary, the human from the beyond human. These stories, edited in Greek and translated into English here for the first time, continue to resonate with readers seeking to understand universal human fears and desires in their Byzantine guise.